A collaboration between Julie Groves and poet Andy Spragg as Between Soundings.
To mark the release of Andrew Spragg’s Notes for Fatty Cakes (published by Anything Anymore Anywhere) Between Soundings created a performance event which took place at The Poetry Café in London in October 2011.
Julie created a soundscape to accompany Andy’s live performance of the text, utilising ambient recordings and immediate sound. The sparking of these pre-formed events was facilitated expertly by Matt Cockshutt on Ableton live. Visit Andy at brokenloop.blogspot and Matt at yellotone .
This following excerpt of Notes for Fatty Cakes accompanied the event. Please visit anythinganymoreanywhere to purchase the entire text:
Thanks to Natalie Orme of NODraws for the artwork
Notes for Fatty Cakes
In lieu of having anything to say of FC & I – a secret, early note:
{ }
A court-house;time has passed
but our narrator was insensible to its passing.
I
in the dock
on trial {16th c.: prob. orgi. cant =Flem. dok cage, of unkn. org.}
for a crime of unkn. org.
cracking, a gavel
{19th c.: org. unkn.}
calls the breach
of order to a close.
the Judge parks a unitary behind
and casts all reasonable doubt from the mind.
The gobbling appeals for justice
acquit with flair:
“bound over or be sated,
or
at least shine through.”
What was clear
was that the instruction came:
“That bad heart: let it perpetuate no longer.”
(flocked reporters agreed,
as statements went it chuckled
a few, but all in all or not at all,
as a wise man once decreed.)
The narrator freed, discovers the identity ofthe Judge
once freed from the shadow of the court-house Captain Cakes stripped wig and gown,
pushed lips to lips and consented that it were a jape, such a thing. We were all in
cahoots, puzzlement upon the brow (the metaphoric swelling bosom upon which sleep
abounded now swelled synchronised and thrilled), set course for the sunset.
To & Fro so the cabin goes
To & Fro so the cabin goes
copyright Andrew Spragg 2011
Tom Raworth
provokes us to think about relations between self and other. Andrew Spragg is a poet who can love; this book is in love with language without losing a grip on the world.’
Vahni Capildeo